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THE WORK IN ACTION

Real events, real rooms, real visuals.

See what becomes possible when a day gets a visual story.


Volunteering WA wanted organisations across the sector to measure their impact. The challenge wasn't creating the framework. It was helping people actually use it.


Let's be honest. Nobody gets excited about opening a technical toolkit.


I've always believed people don't make sense of complexity through pages of instructions. They make sense of it through stories and mental models. Give someone a visual that helps them see where they are, where they're heading, and how they fit into the bigger picture, and they're much more likely to understand it, remember it, and take the next step.


That's why, instead of handing organisations a toolkit, we gave them a map.



The Impact Navigator became the map: Designed like a GPS for measuring impact, it showed two pathways depending on where an organisation was starting from. One route was created for smaller or volunteer-led organisations just getting their bearings. The other guided larger organisations that were ready to dive deeper. Instead of asking everyone to navigate the same process, organisations could choose the pathway that made sense for them.


That simple shift changed the way people engaged with the work. The framework stopped feeling like someone else's compliance exercise and became an invitation to explore. People could see themselves in the process, understand where they were heading, and feel confident taking the next step.

Melanie Liddell from Volunteering WA described the transformation better than I ever could:

"Throughout the development of the Measuring Change Toolkit, Indi Dust demonstrated a rare ability to translate complex ideas into visuals that feel intuitive, welcoming and purposeful. Abstract concepts such as program logic, outcomes and evaluation plans were brought to life through thoughtful layouts, clear visual hierarchies and engaging illustrations that guide users rather than overwhelm them. The toolkit feels less like a technical document and more like an invitation to explore and learn."

That sentence, an invitation to explore and learn, captures exactly what strategic visual storytelling is all about.



As organisations began using it, the visual language naturally expanded. Together we developed the Impact Pillars, giving shape to the values underpinning the framework. Those illustrations became an icon library. The icon library became the Foundations Toolkit. Then came the Deeper Learning Toolkit, more than fifty pages of visual guides explaining concepts like program logic, outcomes, attribution versus contribution, and evaluation planning in a way people could actually follow.



From there, the visual language continued to grow into worksheets, motion graphics, website banners, reports and online learning resources. Three project rounds later, this wasn't a single illustration anymore. It had become a complete learning ecosystem, all connected by the same visual language that started with one simple map.



When Volunteering WA first came to me, none of this existed. There was no map, no icon library, no learning pathways or resource hub. There was simply a complex challenge and a conversation about where they wanted organisations to end up.

The map came first because it had to. Once people could see the journey, every other piece had somewhere to belong.


That's what I love about strategic visual storytelling. It doesn't just make information easier to understand. It creates a shared mental model that helps people navigate complexity, make confident decisions, and move forward together.

People don't change because they have more information. They change because they can finally see the path ahead.



Check out the impact measurement resources available at Volunteering West Australia's website below.

One of the questions I'm asked most often is: "What happens after the workshop?"


My answer is always the same.


The real value of a strategic visual isn't the artwork itself – it's what happens when people believe in it and continue to use it.


That's exactly what happened with The Karma Collective.



From conversation to clarity


The Karma Collective wanted to capture the essence of who they are and where they were heading. Together, we facilitated a strategic visual storytelling process that distilled their guiding principles, values and vision into one shared visual.


The artwork wasn't created as a marketing piece. It was created as a thinking tool – a way to align all stakeholders, from community to team around a shared understanding of what mattered most.



A visual that kept working


Many workshop outputs are inspiring in the moment but quickly forgotten. This one wasn't. Over time, the artwork became woven into the organisation's everyday communication. It has informed presentations, design, storytelling and the way The Karma Collective shares its purpose with staff, partners and the wider community.


Founder Angharad Lubbock recently summed it up beautifully:

"Your artwork continues to be our flagship for design."

As a visual storyteller, there's no greater compliment.


The moment that made me smile


Recently, The Karma Collective celebrated their Social Enterprise recertification by reflecting on how far they'd come and where they were heading next. What I loved most wasn't simply seeing the artwork appear again.


It was learning that one of the Karma Collective team suggested making the visual a central part of telling that story.


That moment says everything. The artwork had moved beyond the workshop and beyond the founder. It had become something the whole team recognised as part of the organisation's identity.


To me, that's what strategic visual storytelling is all about. Not creating something beautiful for a day. Creating something meaningful enough that people continue to use it because it helps them communicate, make decisions and stay connected to their purpose.


See it in action


The Karma Collective recently shared a beautiful reflection on their journey as they celebrated their Social Enterprise recertification. Their guiding principles – and the strategic visual we created together – remain at the heart of that story.


Watch the video to see how the artwork continues to bring their purpose to life.




Every organisation has a story worth drawing.


If you're curious about how strategic visual storytelling could support your next workshop, strategy or community initiative, I'd love to explore the possibilities with you.



The best briefs are the ones that don't quite know what they want yet.


A while back, Manufacturing Skills Queensland came to me with a worksheet. They'd built a careers course for Year 10 and 11 students with a university partner. Evidence-grounded, carefully made, and not quite landing. Students weren't engaging. They needed something else.


I came back with three concepts. The one they chose was Your Career Factory.


The way it works: I don't just send concepts over. I record a video and walk you through each one as I draw, almost in real time, so you can see them come to life before you've committed to anything. For MSQ, that meant three distinct worlds to consider - each one a different way into the same brief.


The idea was simple. The student becomes the product. They move through the factory in stages: who they are, what they value, what they're skilled at, what they care about. And the factory matches them, eventually, to a career that fits. A working metaphor instead of a worksheet. A world to step into instead of a form to fill in.



It was supposed to be one visual. One page.


Then they fell in love with it. And the one page became the whole course.


Working with Indi has been transformative for this project. What started as an initial concept for a single piece of work became a vibrant careers world that truly came alive. Students and teachers are now able to explore the concept of ‘career’ through an incredibly fun, engaging and educational set of resources and activities. Indi complemented our vision, and then elevated it entirely.” – Quinn Sunderland, Manufacturing Skills Queensland


The project became:

  • 12+ student worksheets

  • Educator slide decks

  • 10 named characters across the modules

  • A suite of animated explainers


I literally took the visuals I'd drawn and learned to make them move. Animation wasn't really part of what I offered before this project. I taught myself, one ChatGPT prompt at a time, with a patience I didn't know AI could give me.



The magic moment, for me, was watching that first visual move. Seeing things start to roll along the conveyor belt for the first time. I felt like we'd unlocked a new world.


But the deeper thing, the bit I keep coming back to, wasn't about manufacturing at all.

It was the realisation that a single visual concept, given room to grow, can carry a whole journey. That the same mechanism could be a different world, for a different client, on a different journey. That one page, properly imagined, isn't a deliverable. It's an architecture. And inside that architecture, students stop absorbing information and start moving through something. Relevance, meaning, joy. Instead of evidence, density, dutiful completion.


Career Factory is in classrooms in Queensland this year. The animations are made, the modules are online, the early feedback has been great. It will live in students' hands far longer than the brief that made it. You can check out the resources here.


"What started as an initial concept for a single piece of work became a vibrant careers world that truly came alive. Students and teachers are now able to explore the concept of 'career' through an incredibly fun, engaging and educational set of resources and activities. Indi complemented our vision, and then elevated it entirely."

Georgi Tomlinson — Manufacturing Skills Queensland


None of this would have happened without the partnership at MSQ. They could have asked for a tidier worksheet. Instead they trusted the metaphor enough to let it grow into something neither of us had originally imagined. That kind of trust is rare, and it shaped every part of this work.


It also taught me something I wasn't expecting to learn. That I'm allowed to stretch into the work my projects ask me to do. I went into this thinking I was a concept person, not an illustrator. There were stretches of it where I was scared my style wouldn't be good enough for the volume of world it was asking me to build. I came out the other side doing animation work I didn't know I could do.


Where in your world might one page have a chance to become more?


If you're building a program, a course, or a set of resources and you're wondering what one strong concept could carry - I'd love to find out. Get in touch here.


This piece first went out in the April 2026 issue of When the Dust Settles. If you'd like future letters in your inbox before they appear here, you can subscribe to the list.

Indi Dust acknowledges and draws inspiration from the Traditional Custodians and original storytellers of the land on which we create. Sovereignty was never ceded.

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New South Wales, Australia © 2025, Indi Dust

Main photo taken by Heidi Minchin.

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